therawgallery
» » The Temperance Seven - The Temperance 7 Inch Record

The Temperance Seven - The Temperance 7 Inch Record Album

The Temperance Seven - The Temperance 7 Inch Record Album Performer: The Temperance Seven
Title: The Temperance 7 Inch Record
Label: Argo
# Cat: EAF 14
Released: 1960
Country: UK
FLAC album: 2592 mb
MP3 album: 2195 mb
Rating: 4.1
Genre: Jazz

Tracklist

1Bill Bailey Won't You Please Come Home
Written-By – Cannon
2Alexander's Record-Breaking Band
Written-By – Irving Berlin
3The Eton Boating Song
Written-By – Kaps
4Laughing Blues
Written-By – Unknown Artist

Credits

  • Percussion [Uncredited]Brian Innes

Barcodes

  • Matrix / Runout (Matrix on label, side 1): FRG 2027
  • Matrix / Runout (Matrix on label, side 2): FRG 2028
  • Rights Society (On side 2 label only, boxed): BIEM NCB
  • Other (Tax code on labels): E/T

Companies

  • Printed By – Graphis Press Limited
  • Copyright (c) – Argo
  • Record Company – Argo Record Company Limited
  • Published By – Peter Maurice
  • Published By – Bosworth
  • Published By – Feldman
  • Published By – Darewski
  • Published By – Copyright Control

Comments: (1)
JoJoshura
This was the Temperance 7's first release. As the musicians were generally professional orchestra players in their own right, the performers' names are pseudonyms. The regular concert music and other releases of the Temperance 7 are intended to re-create the dance band music of the 1920's and 30's, in which they are extremely successful; this first release, however, is much more along the lines of joke music, in the absolute best sense of the phrase.

It is extremely well-arranged and executed, but such things as the gloomy excursion into the minor mode for a chorus of the Eton Boating Song, and an eight-bar repetitive section of Alexander's Record-breaking (Ragtime) Band which makes you think the "needle has got stuck", make you realise just how competent they are. Their accomplished clarinettist mimics and exaggerates the best of the traditional jazz players of the 1920's, from a gentle measured trot to a frenetic smear-based yowl in "Bill Bailey", leaving the listener breathless!

In some ways their first major hits "You're Driving me Crazy" and "Pasadena", with the separate codas separated by pauses, is reminiscent of the humour in the Temperance 7 Inch, which is definitely for specialists in musical humour rather than avid Temperance 7 collectors, who might find it somewhat disappointing as it is quite a distance from their excellent 1930's arrangements.