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The Prodigy - Music For The Jilted Generation Album

Prodigy Canada Xl Recordings Breakbeat Techno Big Beat 1994

Performer: The Prodigy
Title: Music For The Jilted Generation
Style: Breakbeat, Techno, Big Beat
Label: XL Recordings
# Cat: XLCD 114
Released: 1994
Country: Canada
FLAC album: 1917 mb
MP3 album: 2877 mb
Rating: 4.1
Genre: Electronic

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Tracklist

1	Speedway (Theme From Fastlane)	8:56
2	Claustrophobic Sting	7:12
3	The Heat (The Energy)	4:28
4	Full Throttle	5:02
5	Their Law Featuring, Written-By – Pop Will Eat Itself	6:40
6	No Good (Start The Dance)	6:22
7	One Love (Edit)	3:53
8	3 Kilos	7:26
9	The Narcotic Suite
10	Skylined	5:58
11	Poison Written-By – Keith Palmer	6:42
12	Break & Enter	8:24
13	Voodoo People Guitar [Live] – Lance Riddler	6:28
14	Intro	0:45

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
XLCD 114	The Prodigy	Music For The Jilted Generation ‎(CD, Album)	XL Recordings	XLCD 114	UK	1994
XLCD 114	The Prodigy	Music For The Jilted Generation ‎(CD, Album, RP)	XL Recordings	XLCD 114	UK	Unknown
XLMC114	The Prodigy	Music For The Jilted Generation ‎(Cass, Album, Promo)	XL Recordings	XLMC114	UK	Unknown
825.0114.20, XLCD 114	The Prodigy	Music For The Jilted Generation ‎(CD, Album)	Play It Again Sam [PIAS], XL Recordings	825.0114.20, XLCD 114	Benelux	1994
SRCP 377	The Prodigy	Music For The Jilted Generation ‎(CD, Album, RE)	XL Recordings	SRCP 377	Japan	2004

Credits

Flute [Live] – Phil Bent
Management [For Midi Management] – Mike Champion
Mastered By – Nilz
Painting [Inside Sleeve Painting] – Les Edwards
Photography By [Front] – Stuart Heygarth
Photography By [Rear] – Jamie Fry

Flute [Live] – Phil Bent
Painting [Inside Sleeve Painting] – Les Edwards
Photography By [Front] – Stuart Haygarth
Photography By [Rear Sleeve] – Jamie Fry
Producer, Mixed By – Neil McLellan (tracks: 4, 5, 7, 9, 10)
Written-By, Producer, Mixed By – L. Howlett

Engineer – Neil McLellan
Flute [Live] – Phil Bent
Painting [Inside Sleeve Painting] – Les Edwards
Photography By [Front] – Stuart Haygarth
Photography By [Rear Sleeve] – Jamie Fry
Producer, Mixed By – Neil McLellan (tracks: A4, A5, A7, B2, B3)
Written-By, Producer, Mixed By – L. Howlett

Notes

All tracks written at Earthbound Studios.
Tracks A1 to A3, A6, B1, B4 to B6: Produced and mixed at Earthbound Studios.
Tracks A4, A5, A7, B2, B3: Produced and mixed at The Strongroom.

© 1995 XL Recordings
℗ 1996 Avex D.D., Inc. Manufactured by Avex D.D.

All rights reserved. Warning: Unauthorised reproduction of this recording is prohibited by Federal law and subject to criminal prosecution.

Sticker on cassette show this info: TULEN KPDN & HEP ORIGINAL 5886114A

Diiimpot Oleh / Diedar Oleh: Kang Cassettes Supplies Sdn. Bhd. No 29 Jin 1/119, Tmm. Bukit Hijau, Cheras, 56000 K.L.
Tel: 9328000 (3 Lines) Fax: 9302700All tracks written at Earthbound Studios.
Tracks A1, A2, A3, B6, C8, D11, D12 and D13 produced and mixed at Earthbound Studios.
Tracks A4, B5, B7, C9 and C10 produced and mixed at The Strongroom.

Samples from:
Track A2 sample taken from 'Casanova' by Baby D courtesy of Production House Records Ltd..
Track C9 'No Good For Me' by Kelly Charles sampled under license from Polygram Special Markets, a division of PolyGram Group Distribution, Inc..

All tracks published by EMI/Virgin Music Publishing Ltd. except track C2 published by EMI/Virgin Music Publishing Ltd. / All Boys Music Ltd..
℗&© 1994 XL Recordings
Made in England
Distributed by Warner Music UK

Samples used:
Track A2: Vocal from 'Casanova' by Baby D
Track A4: Laughter from 'A Fistfull Of Dollars'
The Star Wars sample ("we're going in full throttle") is played backwards here despite it playing forwards on the earlier One Love single version.
"Hey" from 'SOS' by The Breeders.
Track B5: Guitar from 'Very Ape' by Nirvana
Vocal from 'The Shalimar' by Gylan Kain.
Track B7: Vocal from 'Poltergeist III'. Intro (uncredited) sample from "The Whale" by Electric Light Orchestra.
Track C9: Vocal from 'No Good For Me' by Kelly Charles.
Track D11: Samples from "Good Livin' (Good Lovin')" by Bernard Purdie
Track D13: Sample from '2001 - A Space Odyssey'

As with most of The Prodigy albums a lot of the mixes are missing on the tracklisting.

A4 - Is the same as the (Original Mix) until the last 30 or 40 seconds, it changes - to musical people it has a different bridge, and is shorter in total duration by 30 seconds.
B5 - Voodoo People - (Original Mix)
C9 - No Good (Start The Dance) is the (Original Mix) although not credited.

Some copies was distributed in Europe & Germany for Intercord Label with Sticker and Catalogue number "INT 147903".Marketed in Canada by Beggars Banquet & distributed by Koch International Inc. Made in Canada.

The Star Wars sample on track 4 ("we're going in full throttle") is played backwards here despite it playing forwards on the earlier One Love single version.

Samples used:
Track 2: Vocal from 'Casanova' by Baby D.
Track 4: Laughter from 'A Fistfull Of Dollars',
"Hey" from 'SOS' by The Breeders.
Track 5: Guitar from 'Very Ape' by Nirvana,
Vocal from 'The Shalimar' by Gylan Kain.
Track 7: Vocal from 'Poltergeist III'.
Track 9: Vocal from 'No Good For Me' by Kelly
Charles.
Track 13: Sample from '2001 - A Space Odyssey'.

As with most of The Prodigy albums a lot of the mixes are missing on the tracklisting.

Track 4 - Is the same as the (Original Mix) until the last 30 or 40 seconds, it changes - to musical people it has a different bridge, and is shorter in total duration by 30 seconds.
Track 5 - Voodoo People - (Original Mix).
Track 9 - No Good (Start The Dance) is the (Original Mix) although not credited.

Barcodes

Barcode (Text): 5 012093 551418 >
Barcode (Scanned): 5012093551418
Matrix / Runout (Runout Etchings Side A, Variant 1): XLLP 114 A¹ 2 THE EXCHANGE - NiLZ. DAMONT A
Matrix / Runout (Runout Etchings Side B, Variant 1): XLLP 114 B¹ THE EXCHANGE - NiLZ. DAMONT BC
Matrix / Runout (Runout Etchings Side C, Variant 1): XLLP 114 C¹ THE EXCHANGE - NiLZ. 3 DAMONT E
Matrix / Runout (Runout Etchings Side D, Variant 1): XLLP 114 D¹ THE EXCHANGE - NiLZ. DAMONT BB
Matrix / Runout (Runout Etchings Side A, Variant 2): XLLP 114 A¹ - THE EXCHANGE - NiLZ. DAMONT
Matrix / Runout (Runout Etchings Side B, Variant 2): XLLP 114 B¹ THE EXCHANGE - NiLZ. DAMONT BC
Matrix / Runout (Runout Etchings Side C, Variant 2): XLLP 114 C¹ THE EXCHANGE - NiLZ. 3 DAMONT A
Matrix / Runout (Runout Etchings Side D, Variant 2): XLLP 114 D¹ THE EXCHANGE - NiLZ. DAMONT B
Matrix / Runout (Runout Etchings Side A, Variant 3): XLLP 114 A¹ 3 THE EXCHANGE - NiLZ. DAMONT A
Matrix / Runout (Runout Etchings Side B, Variant 3): XLLP 114 B¹ THE EXCHANGE - NiLZ. 2 DAMONT A
Matrix / Runout (Runout Etchings Side C, Variant 3): XLLP 114 C¹ THE EXCHANGE - NiLZ. 4 DAMONT A
Matrix / Runout (Runout Etchings Side D, Variant 3): XLLP 114 D¹ THE EXCHANGE - NiLZ. 2 DA MONT A

Barcode (Text): 8 927471 003052
Barcode (String): 8927471003052

Barcode (Text): 6 34904 01142 0
Matrix / Runout: MFG BY CINRAM #980605XG XLR-CD-114 L386
Mould SID Code: IFPI 6000
Other (Etched on Matrix/Runout ring): 21
Other (Innermost ring): 1

Companies

Phonographic Copyright (p) – XL Recordings
Copyright (c) – XL Recordings
Marketed By – Beggars Banquet
Distributed By – Koch International Inc.
Manufactured By – Cinram

Phonographic Copyright (p) – Avex D.D., Inc.
Copyright (c) – XL Recordings
Manufactured By – Avex D.D., Inc.

Produced At – Earthbound Studios
Mixed At – Earthbound Studios
Produced At – Strongroom
Mixed At – Strongroom
Published By – EMI Virgin Music Publishing Ltd.
Published By – All Boys Music Ltd.
Phonographic Copyright (p) – XL Recordings
Copyright (c) – XL Recordings
Distributed By – Warner Music UK Ltd.
Mastered At – The Exchange
Pressed By – Damont

Video

Comments: (23)

Arar

Keith dies and sellers jack up prices 2x on here. LOL

Utchanat

Keith Flint - 17th September 1969 - 4th March 2019! R.I.P. You're among the musicians who helped shape my music tastes and got me into rave, hardcore and all genres of dance music! <3 <3 <3

Taur

rip Keef. You absolute hero , legend , so many young lives changed because of you .x.

Gio

f you for tanking the prices to hell day after keiths death, you deserve the worse, f resellers monetizing on death like vultures

spark

Looks like prices on Experience have trebled, there's even one guy selling for 1 million euros ffs. I gladly sold the cd single of No Good yesterday (hopefully to a fan) for the price i already had it at, 30p.

Brazil

Best album ever created, will play this until my time has come I think.

SkroN

After record 2 sides c/d message me if you have a copy.

EROROHALO

Track "3 Kilos" : Samples from "Good Livin' (Good Lovin')" by Bernard Purdie

Felhalar

The greatest electronic album ever created, the soundtrack of a generation. Very strong anti criminal justice bill message.

Cargahibe

Their best album. It's not without it's flaws (many of the tracks could do with a bit of trimming length-wise) but has very few duff tracks and is very well produced.

Dawncrusher

I buy this LP but when I started to identify it, I found out that the information on the matrix/runout doesn't match any of the 3 variants!.. Does anybody know what is that?

Alsath

Average album. Nothing special compared to the marvelous ''Experience'' (possible the best electronic music album ever made in humanity), or the extremely good ''Fat of the Land'' (the peak of Prodigy's sound and carear). Here the tunes are more or less repetitive, a little boring and with no style direction. Nevertheless it is still a classic infamous 90's album, marked the electronic dance music history.

greatest

I would agree with this. Never really saw the appeal with this album not that I'm saying it's a bad album but the way people talk about it I never really got that enthusiastic personally. It's all just personal opinions but for me Experience is and will always be the one to own.

Nuliax

Coming from a fan of the first 2 albums I dunno how anyone could compare this with the 1st! Both are fantastic classics with different styles etc etcBut @ the end of the day the fact people have different favorites just proves what a quality, diverse album this is surely?....Absolutely BRILLIANT imho and far from "Boring electro industrial"......

Gralmeena

This masterpiece is a compendium of electronic music. It contains all elements of genres around this time. If somebody would ask me what electronic music is all about I would recommend this album (definitely with "the narcotic suite"). Every track has its own character. Everytime I start listen from the beginning it ties me on my chair until the end and leaves myself stunned afterwards. What a great piece of electronic music history.

Wenes

Best Electronic Album in 90ties and very important Album for "the jilted Generation".UK Rollings Stones Magazin to stupid to know this.This Album is in the Top 100 all times.

Alien

one of a kind album

FEISKO

Best album of The Prodigy and the only one really worth having. Anyone should know the album by now - and those who don't should be ashamed of themselves - so there's no need to go over it once more. While "Full Throttle" is my favourite track on the album "Claustrophic Sting" belongs to my all-time favourites in general terms. For this relentless acid banger alone the album is worth buying!!!

Araath

One of the most important albums in the history of British music.

DEAD-SHOT

"What we dealing with here is a total lack of respect for the law..."definately one of the most innovative "in ya face" breakbeat works untill today and my personal favorite of the group. So exhausted, so energetic and just simply breathtaking! the legacy of a whole rave generation carved in argentum. Vintage and science fiction, back and forth on one album.

Minnai

Now this is one of those albums that YOU NEED TO HAVE at all cost.There was never a place in history of "electronic music" that was so revolutionary then this - especially hard to say since in 90`s was a lot going on.This album defined the group, it`s original style and created a fanbase that is holding up to this day.There is no week track in this album - everything from beginning till the end hold You up with Your ear next to the speakers with jaw dropped really low.An absolutely most-have.

Ttyr

An album so good, that it doesn't have one 'defining moment'. It doesn't have one stand out track. Every track, all 79 minutes of it is a 'defining moment'. Every track, every single beat bristles with energy and innovation. So good that over 15 years after release it sounds as fresh, menacing and enjoyable as the day it was released.A defining moment in music.

Skillet

"so, I've decided to take my work back underground, to stop it falling into the wrong hands." Straight off into the full speed of Break and Enter, slowing for the heavy guitar rock of Their Law, speeding up again for the breakbeats of Full Throttle and the ultimate rock/dance hybrid of Voodoo People. After Speedway there's a dramatic slowdown for some ambient sounds and it's straight back into business with The Heat (The Energy). Dipping again for the hard hip-hop of Poison. The anthemic No Good (Start the dance) and One Love come straight at you at Full Throttle , with the album mellowing out for 3 Kilos and Skylined. The grand finale hits home in the shape of Claustrophic Sting, probably one of the hardest tracks ever. Thirteen tracks of hip-hop, rock, ambient, hard dance, and even some jazzy undertones (3 Kilos) are all crammed perfectly onto 79 minutes of musical genius. This release was well received and went straight into the album charts at number one, outselling the rest of the top three put together. Within three weeks it had sold over 100,000 copies, and within two months it had sold more copies than "Experience". After five months it had sold over half a million copies. Rave reviews came flooding in from all over the music community, and the long player was heralded as "Definite album of the year" by many. The Sample used in Full throttle was reversed since Liam didn't want any trouble with copyrights. The sample is taken from the motion picture Star Wars and can be heard just as Luke is about to enter the death star trench. The unscrambled version of the track can be found on the One Love single. "Biggs, Wedge, let's close it up - we're going in - we're going in full throttle that ought to keep those fighters off our back" When Liam came to the cutting room for the final phase in the album production he realized that all the tracks he had originally planned for wouldn't fit onto a CD so One Love had to be edited, The Heat [The Energy] was slightly cut and the track called 'We Eat Rhythm' was left out. We Eat Rhythm was later released on a free cassette with Select Magazine in October '94 entitled 'Select Future Tracks'. A remixed version of the track can be heard during the intro and ending credits of the video 'Electronic Punks'. This mix is often referred to as We Eat Rhythm (Jungle Mix) and was often played live in gigs around '95. In Japan a special edition of Music for the Jilted Generation was released by Avex Trax, The Prodigy's Japanese licensee. The CD album featured an extra 3" single with 3 old tracks. The album was voted the 62nd greatest of all time by Q readers in early 1998.

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